HyperSync - Revision history

Heathers: /* What is HyperSync? */

2015-05-20T19:28:20Z

‎What is HyperSync?

Patrick at 16:09, 5 August 2014

2014-08-05T16:09:41Z

Heathers: /* Understanding HyperSync */

2013-10-08T15:03:59Z

‎Understanding HyperSync

Chris: /* HyperSync Performance with your Camera */

2013-08-29T14:21:34Z

‎HyperSync Performance with your Camera

Chris: /* HyperSync Setup */

2013-08-29T14:15:51Z

‎HyperSync Setup

Chris: /* What is HyperSync? */

2013-08-29T14:15:31Z

‎What is HyperSync?

Chris: /* HyperSync Setup */

2013-08-22T17:59:03Z

‎HyperSync Setup

Chris: /* HyperSync Setup */

2013-08-22T17:58:27Z

‎HyperSync Setup

Chris: /* Understanding HyperSync */

2013-08-22T16:11:54Z

‎Understanding HyperSync

Chris: /* HyperSync Performance with your Camera */

2013-08-15T19:12:33Z

‎HyperSync Performance with your Camera

@@ Line 15: / Line 15: @@
 [[File:PW HyperSync GarthMilan 2013.jpg|thumb|right|400px|Garth Milan: “I was using a single Elinchrom Ranger power pack, along with an Elinchrom Ranger (S head, I believe). I only had the one pack and head, as I had to hike quite a ways back for this shoot. And yes, I use the PowerST4."]]
-HyperSync is a feature exclusive to PocketWizard radios that allows you to shoot at speeds faster than your cameras X-Sync while using studio strobes.
+HyperSync is a feature exclusive to PocketWizard radios that allows you to shoot at speeds faster than your cameras X-sync while using studio strobes.
-Unlike HSS/Auto-FP (High Speed Sync) which allows speedlights to sync up to 1/8000th with pulsed light, HyperSync uses precise timing to capture the most flash energy in the frame. If you are curious about how HyperSync works on a more scientific level and how it differs from HSS.
+Unlike HSS/Auto-FP (High Speed Sync) which allows speedlights to sync up to 1/8000th with pulsed light, HyperSync uses precise timing to capture the most flash energy in the frame. You can see real world examples of HyperSync usage from professional working photographers throughout these pages. You can click on the photos for camera and exposure information.
+If you are curious about how HyperSync works on a more scientific level, how it differs from HSS, and an in-depth look at how these features work, please visit the following page:
-===Understanding HyperSync===
-−
 You can see real world examples of HyperSync usage from professional working photographers throughout these pages. You can click on the photos for camera and exposure information.
-−
-For an in-depth look at how these features look, please visit the following page:

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 __TOC__
-<br />
-{{Fast Page}}
-<br />
 On this page you will find everything you need to know about HyperSync®, and how to make it a valuable tool you can rely on.

← Older revision		Revision as of 15:03, 8 October 2013
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	You can see real world examples of HyperSync usage from professional working photographers throughout these pages. You can click on the photos for camera and exposure information.		You can see real world examples of HyperSync usage from professional working photographers throughout these pages. You can click on the photos for camera and exposure information.

−	For an in-depth look at how these features look, ~~pleas~~ visit the following page:	+	For an in-depth look at how these features look, please visit the following page:

← Older revision		Revision as of 14:21, 29 August 2013
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−	Please note that white wall performance is presented so you can see the visual effects of the shutter and flash duration. White wall performance is often not representative of what HyperSync can do for your photography in real-world conditions. It is impossible to recreate every real-world situation in a testing environment, and not every photographer’s level of acceptability is the same. Many photographers find the gradient visible on the white wall blends into the environment when shot outside (see example to the left.) Others may correct for the gradient in post-production. Users will want to experiment to see what works best for their individual needs. You can read more about how to manage clipping and gradation in your images by visiting ~~our~~ page on [[Clipping and Gradient]].	+	Please note that white wall performance is presented so you can see the visual effects of the shutter and flash duration. White wall performance is often not representative of what HyperSync can do for your photography in real-world conditions. It is impossible to recreate every real-world situation in a testing environment, and not every photographer’s level of acceptability is the same. Many photographers find the gradient visible on the white wall blends into the environment when shot outside (see example to the left.) Others may correct for the gradient in post-production. Users will want to experiment to see what works best for their individual needs.
		+
		+	You can read more about how to manage clipping and gradation in your images by visiting the page below:
		+
		+	* [[Clipping and Gradient]].

← Older revision		Revision as of 14:15, 29 August 2013
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−	[[HyperSync_Setup\|HyperSync Setup]]	+	* [[HyperSync_Setup\|HyperSync Setup]]

← Older revision		Revision as of 14:15, 29 August 2013
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−	[[Understanding HyperSync and High Speed Sync]]	+	* [[Understanding HyperSync and High Speed Sync]]

← Older revision		Revision as of 17:59, 22 August 2013
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−	[[HyperSync_Setup\|~~Visit the~~ HyperSync Setup ~~page~~]]	+	[[HyperSync_Setup\|HyperSync Setup]]

@@ Line 39: / Line 39: @@
 HyperSync timing adjustments can only be calculated by our ControlTL line of transmitters ([[MiniTT1 and FlexTT5]]), but can be used by any of our Standard or ControlTL receivers.
 Depending on what you are photographing and what equipment you are using there are several different ways to optimize your radios.
-[[HyperSync_Setup|Visit the HyperSync Setup page]] to learn how to use the [[HyperSync/HSS Tab]] located in the [[PocketWizard Utility]] to configure your radios for optimal HyperSync performance with your photo equipment.
+[[HyperSync_Setup|Visit the HyperSync Setup page]]

← Older revision		Revision as of 19:12, 15 August 2013
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−	Please note that white wall performance is presented so you can see the visual effects of the shutter and flash duration. White wall performance is often not representative of what HyperSync can do for your photography in real-world conditions. It is impossible to recreate every real-world situation in a testing environment, and not every photographer’s level of acceptability is the same. Many photographers find the gradient visible on the white wall blends into the environment when shot outside (see example to the left.) Others may correct for the gradient in post-production. Users will want to experiment to see what works best for their individual needs. You can read more about how to manage clipping and gradation in your images by visiting ~~the~~ [[Clipping and Gradient]] ~~page~~.	+	Please note that white wall performance is presented so you can see the visual effects of the shutter and flash duration. White wall performance is often not representative of what HyperSync can do for your photography in real-world conditions. It is impossible to recreate every real-world situation in a testing environment, and not every photographer’s level of acceptability is the same. Many photographers find the gradient visible on the white wall blends into the environment when shot outside (see example to the left.) Others may correct for the gradient in post-production. Users will want to experiment to see what works best for their individual needs. You can read more about how to manage clipping and gradation in your images by visiting our page on [[Clipping and Gradient]].